#Flame painter mike software#

Your imagination is all you need to create beautiful artwork, images, flame paintings, and more with Flame Painter.

#Flame painter mike software#

If you want digital art software that provides results as close to real-world painting as possible, Rebelle should be on your radar. None painting software has been as jaw-dropping to see in evolution as Escape Motions' Rebelle. Renderosity MagazineĪmberlight 2 is infinitely useful, as you can easily create fantastic still backgrounds and incredible looping video for motion graphics and film projects. Simon Lovell, Illustrator and Designerįlame Painter is a great piece of software to paint powerful effects onto existing images and a great addition for those who like experimenting while having fun. There really is no other software that as closely emulates the real world of watercolor. I was blown away by the watercolor and paper interactions in Rebelle. Creating those dazzling mandalas with Inspirit is not just inspiring, but also relaxing. Inspirit can generate impressive mandala shapes and kaleidoscope art, providing you with a painting tool that is both easy to use and modern-looking. It may look like a novelty, but you'll definitely find some way of using it! Īmberlight is a fascinating and unpredictable app, sometimes offering up quite beautiful and enigmatic imagery. Kuzayova, Illustratorįlame Painter is capable of quite a range of output, from adding light trails to photographs to creating abstract backgrounds and images reminiscent of ink-and-wash drawings. People were surprised to find out my art was digital. If your clear does not work well with One Shot you will get bad things like wrinkles, runs and sags in the stripe.I have never used more advanced software for real-media mimicking than Rebelle. You should always double check how your clear reacts with One Shot before committing to use One Shot under clear. I like to let One Shot sit overnight before I clear just to be sure there are no issues. Notice that I started on the top and center of the air scoop and worked my way out and down. I always work from the center of a curve to the tip of the flame. It is very difficult to get a super fine tip if you start your stroke at that point. It is so much easier to get a fine tip if you stripe ensuring that the tip is at the end of your stroke. Let the paint edge from taped off flames help guide your brush. This is especially a problem with slow drying paint like One Shot. I like to use my right hand to help steady the line and the pinky on my left hand to manage uniform thickness by keeping a consistent height from the surface.Īs you pull your line around curves, you should turn your brush “into the curve.”Īlways try to work towards yourself – from the farthest point to the closest point – so that you do not drag your hands through your work. Remember to plan out your line and know how much paint you need on your brush. I like to start in the middle of a big turn because it creates a good point to come back in and overlap going the other direction. You want to “load up” your brush with enough paint to pull your line. The process of paletting allows you to work the paint evenly through the brush. The paint should lay down nicely as you are pulling the lines. Proper viscosity will also keep you from having large or “tall” edges to clear over. The paint is what holds your bristles together. You need to make sure that the paint is thin enough to flow out level, but not so thin as to allow the brush to “blow out” in the curves. As with airbrushing, proper viscosity is integral. I use One Shot reducer to thin the paint to the perfect viscosity. I have chosen to use a One Shot Process Blue as a compliment to the classic yellow to orange hot rod flames. The Hot Rod flames on this air scoop is the finishing touch to a gloss black beauty. project that he has been working on for quite awhile. This project is for one of our neighbors who is finishing up a ….